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AESTHETIC 2 WORD PHRASES MOVIE

AESTHETIC 2 WORD PHRASES MOVIE

For example, one movie can be seen and told from many different points of view, which means each character will tell a different story. If you’re trying to decide which POV to use for any of your scenes, things to consider include whose eyes the POV is going to be from, because the story POV is actually a higher level POV. This area has more to do with the script itself than anything else, and as with camera POVs, it can change throughout any given movie. It might limit the view to the audience, but it also allows them to see things through the character’s eyes, which helps them relate to the character much better. On the other hand, if you want the audience to empathize better with the character, you may want an inside POV. If a marching band scene is filmed from up above so that the audience can see the entire band, this is an example of an outside POV. Outside points of view can go anywhere at any time because they are not a part of the scene’s action. Most often, either outside or inside POVs are used. Most stories are told from a particular point of view, and the relationship between the observer and the character will determine which POV you choose. Do you want sound that fits nicely with the scene, or something which contradicts it? Are you going to use narration, music, or both? Are the sounds the audience hears realistic? Most of all, how is the sound you choose to use going to affect not only that scene, but the entire movie?Įvery shot in a movie is taken from a specific point of view, or POV. Again, you have to consider what you’re trying to accomplish. Is the camera moving, or just the actors? What techniques are you using to transition from one scene to the next? Does the lighting change between scenes? Does the sound change? These are just a few of the questions that need to be answered for good aesthetic value in the end. This refers to the changes occurring over many different frames. What do you want the audience to be looking at when they go see the movie? Are the colors and tones realistic? Is the scene well-lit, and most importantly, is it realistic? The most important factor centers around what you wish to accomplish in the end. This is usually a rectangular frame, and it contains a specific image.

Here is a description of each of these three terms. These are broad areas, but they are the main factors when making a movie.

Their aperture choice – which controls the amount of light that falls on the subject.

Their lens choice – the longer the lens, the narrower the depth of field appears.

The distance between the lens and the subject – the closer they are, the narrower the depth of field is.

Movie-makers use three main methods to get the right focus, including: If more than one character is to be emphasized in the scene, they are both shown in focus. This is called racking focus, and it involves changing the focus at several points during a specific scene. If one of them has an important line, the camera suddenly focuses on that individual. When a main character is speaking, he is in focus, but the people in the background may be fuzzy. Movie-makers can change the focus of various characters, depending on who they want the audience to focus on.

For example, take a look at the following techniques. Technology plays an integral part in movie-making, especially when it comes to your artistic options.

Making a movie requires expert ability, in both the technical and the artistic sense, because it takes both of these skills for a movie to come out just right.